peintre de nus féminins femmes nues devant la toile vierge devant l'objectif peu objectif
Faces and bodies

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Faces and bodies

  • 1. Sequential drawings
  • 2. The sofa
  • 3. The mask
  • 4. Bodies
  • 5. African women
  • 6. Nudes

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    From1973 to nowadays, in the same way as the environment,
    the body is interrogated by its relation with elements and by the way
    it can occupy the space limited by the canvas stretcher.


    "Soir de juin"-38x46cm-H7522

     


    Sometimes put there, like a pebble covered with lichen,

     

    main hanche ombre

    "La main bleue"-33x46cm-H7418

     

    sometimes being wrapped, being covered and being even replaced by a cloth,

    soleil couchant rouge

    "Double rencontre"-89x130cm-H7908

     

    sometimes being split, in a close-up which obliges him to be isolated of the context,

    plante du pied doigts

    "Plis de pied"-50x65cm-H7606

     

    sometimes being astutely "animated" by a sequential division,

    ciel bleu nuages corps

    "Nu avec un tissu à fleurs"-130x89cm-H7823

     

    sometimes being "perturbed" by the presence of a mask, sometimes hardly suggested,
    present only to do its contribution to the sensualism of its environment,

    ciel hollywoodien

    "La tempête"-114x195cm-H89003

     

    the body obeys the stream and the ebb of life.


    "Inachevée"-89x130cm-H7901

     

    The head being mostly "off camera", it has all the more freedom to mean its initial strength.


    "Nu 06"-22x55cm-H89060

     

    It is only very recently that faces appear. They are faces of African women.
    They occupy immediately all the space of the painting,
    one sees them in front view, in very close-up, and one can not escape their glances.
    They ARE simply, they say us their reality with simplicity, even if it is not simple, and although all
    this is not so simple.

     

    africa
    algerienne
    sculptee
    eclairage lateral bleu

    Les visages reproduits ci-dessus ont pour références:
    041-056- 079- 071- 067.

     


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